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What the mountain takes

What the mountain takes

Everest: The Other Side captures Jim Morrison’s daring ski descent in visually stunning detail. But WORLD’s Collin Garbarino sees recklessness in the pursuit of fleeting glory.

Adam M. Carrington | Many horror movies acknowledge the supernatural, but they rarely get it right

Two alien-encounter films offer very different visions of providence. WORLD’s Steve Limkeman compares Steven Spielberg’s Disclosure Day with M. Night Shyamalan’s Signs.


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MOVIE | A contemporary version of “The Breakfast Club” takes Gen X parents to task

Paramount’s takeover of Warner Bros. leaves it $80 billion in debt. WORLD’s Lauren Smyth explains why that could mean better choices for audiences.

A new film exposes Facebook’s political manipulation while giving less attention to the platform’s alleged harms to children. WORLD’s Harrison Watters reports on the whistleblower story Hollywood tells—and the scandals still playing out in court.


 
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